The combination and transfer between different mediums image and sound are explored as metaphor in the audio-visaul artwork The Reconciled Project (2012- ). Intermedial tension as metaphor for inter-subjective interplay between the work of art expressing trauma and a viewer, demands a mediation of the post-traumatic emotions, and furthermore, a possible assimilation of trauma. Mediation and assimilation of trauma through intermedial art were explored throughout the real-time interactive audiovisual performance The Reconciled Project (2012- ).
The underlying theme of the performance deals with the ambiguous nature of parenthood. On the one hand, it refers to a parent as guardian. On the other hand, it deals with over-protectiveness and the persuasive nature of a parent.
The audiovisual performance is a ‘ritualization’ of the post-traumatic “acting-out” as well as an attempt to create distance from the trauma. The “acting-out” is performed throughout Act II as the mother-child image is distorted by two destructive hands violently grabbing yet reaching towards each other. This act of destruction is a ritual through which emotions such as helplessness, resentment and anxiety is mediated. The aim of the performance is to create a potential space for an audience to critically reflect on memories and past experiences associated with complex family dynamics.
